top of page

Global Music Column – November

  • Ammar Kalia
  • Oct 7, 2022
  • 1 min read

Updated: Nov 21, 2022

Sarathy Korwar – Kalak

Sarathy Korwar has a light touch behind the drum kit. Since debuting with 2016’s Day to Day, where he mixed the folk music of the Siddi community from rural Gujarat with west African rhythms and Indian classical melodies, Korwar’s playing has been soft and subtle enough to encompass the intricacies of disparate rhythms, while still possessing a grounded metronomic solidity. Korwar makes himself heard not through power and volume, but in the guiding steadiness of his hand.


On his fourth album as a bandleader, Korwar reaches the apex of this open drumming technique. Made in collaboration with electronic producer Photay, Kalak is a beguiling body of work, enveloping the listener in undulating synth melodies, layered horn fanfares and vocal features – all driven forward by Korwar’s ever-present percussion.


Read the review in the Guardian.


[This piece was published on 07/10/22]

Recent Posts

See All
Global Music Column – April

Negros Tou Moria – Mavri Ellada A s far-right political parties have risen in Greece in recent years, young artists from Athens’ migrant...

 
 
 
Global Music Column – March

Derya Yıldırım & Grup Şimşek – Yarın Yoksa S ince the 1960s, Turkish groups have honed a distinct blend of Anatolian folk and...

 
 
 
Global Music Column – February

Yazz Ahmed – A Paradise in the Hold Since the release of her 2011 debut album, Finding My Way Home, British Bahraini trumpeter Yazz Ahmed...

 
 
 

コメント


bottom of page